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京劇鑼鼓與爵士鼓音樂的口頭再現：功能性核磁共振造影研究
Towards an intermediate water wave ...
疾病與作曲：以Smetana、Wolf、Schubert的梅毒為例
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DateTitleAuthors
2010-11 京劇鑼鼓與爵士鼓音樂的口頭再現：功能性核磁共振造影研究 蔡振家
2009 臺灣亂彈戲皮黃腔的音樂特色：與其它劇種的比較研究 蔡振家
2009 Emotion and Meaning in the Pre-Modern Performance Style of Chinese Music: ‘Equanimity’ in Abing Wang, Yuh-wen
2009 Tan Dun’s The Map and the Geopolitical Form of Musical Materiality Yang, Chien-chang
2008 鏡中他者－清代臺灣圖文資料中的原住民音樂 沈冬
2008 Fux, Caldara, and Their Canonic Masses as Evidence of Professional Rivalry Chen, Jen-yen
2008 Sound as Electricity of Life: Ernst Florens Chladni’s Sound Figures and the Rise of Musical Modernity Yang, Chien-chang
2008 臺灣大學的國際合作與兩岸交流 沈冬
2008 浪漫化的瘋癲－戲曲中的大腦疾病 蔡振家
2008 Moments in Historical Force Fields: On Adorno’s Monadic History of Music Yang, Chien-chang
2008 試論現代社會的奉祀官－孔德成（達生）先生的生平與學術 沈冬
2008 戰爭帶來的契機：黑澤隆朝臺灣音樂調查的經過及成果 王櫻芬
2008 Nanguan Jazz? Pan Rongzhi’s Innovation of Nanguan Music in the 1930s in Colonial Taiwan Wang,Ying-fen
2008 藝術的歷史姿態與難以名狀 楊建章（與吳哲良聯合發表）
2008 臺灣大學國際化指標 沈冬
2008 A New Era for the Study of Taiwan Music History Wang,Ying-fen
2007 世變中的音樂教育與婦女－家國昇華與陰性終止 沈冬
2007 祭孔音樂與儒教精神－來去臺北、孔廟今昔 沈冬
2007 古琴與琴人的身體─傳統實踐中的身體意識 王育雯
2007 Wagenseils Missa alla cappella und die Fuxschen Lehre, Chen, Jen-yen
2007 音樂學研究的空間新視野 楊建章
2007 NTU-US Joint Project 沈冬
2007 NTU-UK Joint Project: A SOAS Model of Cooperation 沈冬
2007 邁向世界舞臺的臺灣大學－國際化與國際化指標 沈冬
2007 Body Consciousness in Traditional Qin Practice Wang, Yuh-wen

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